482 C
HAPTER 16
Terms & Names
Terms & Names
MAIN IDEA
MAIN IDEA
One American's Story
Science and
Urban Life
WHY IT MATTERS NOW
WHY IT MATTERS NOW
The Brooklyn Bridge, connecting Brooklyn to the island of
Manhattan in New York City, opened in 1883. It took 14 years
to build. Each day, laborers descended to work in a caisson, or
water tight chamber, that took them deep beneath the East
River. E. F. Farrington, a mechanic who worked on the bridge,
described the working conditions.
A PERSONAL
VOICE E. F. FARRINGTON
Inside the caisson everything wore an unreal, weird appear-
ance. There was a confused sensation in the head . . . What
with the flaming lights, the deep shadows, the confusing
noise of hammers, drills, and chains, the half-naked forms flit-
ting about . . . one might, if of a poetic temperament, get a
realizing sense of Dante’s Inferno.
quoted in The Great Bridge
Four years later, trains ran across the bridge 24 hours a day and carried more
than 30 million travelers each year.
Technology and City Life
Engineering innovations, such as the Brooklyn Bridge, laid the groundwork for
modern American life. Cities in every industrial area of the country expanded
both outward and upward. In 1870, only 25 American cities had populations
of 50,000 or more; by 1890, 58 cities could make that claim. By the turn of the
20th century, due to the increasing number of industrial jobs, four out of ten
Americans made their homes in cities.
In response to these changes, technological advances began to meet the
nation’s needs for communication, transportation, and space. One remedy for
more urban space was to build toward the sky.
Louis Sullivan
Daniel Burnham
Frederick Law
Olmsted
Orville and Wilbur
Wright
George Eastman
Advances in science and
technology helped solve
urban problems, including
overcrowding.
American cities continue to
depend on the results of scientific
and technological research.
In 1883, New
Yorkers celebrated
the opening of the
world’s longest
suspension
bridge, the
1,595-foot-long
Brooklyn Bridge.
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A
B
SKYSCRAPERS
Architects were able to design taller buildings because of two
factors: the invention of elevators and the development of internal steel skeletons
to bear the weight of buildings. In 1890–1891, architect Louis Sullivan designed
the ten-story Wainwright Building in St. Louis. He called the new breed of sky-
scraper a “proud and soaring thing.” The tall building’s appearance was graceful
because its steel framework supported both floors and walls.
The skyscraper became America’s greatest contribution to architecture, “a
new thing under the sun,” according to the architect Frank Lloyd Wright, who
studied under Sullivan. Skyscrapers solved the practical problem of how to make
the best use of limited and expensive space. The unusual form of another sky-
scraper, the Flatiron Building, seemed perfect for its location at one of New York’s
busiest intersections. Daniel Burnham designed this slender 285-foot tower in
1902. The Flatiron Building and other new buildings served as symbols of a rich
and optimistic society.
ELECTRIC TRANSIT
As skyscrapers expanded upward, changes in transpor-
tation allowed cities to spread outward. Before the Civil War, horses had drawn
the earliest streetcars over iron rails embedded in city streets. In some cities dur-
ing the 1870s and 1880s, underground moving cables powered streetcar lines.
Electricity, however, transformed urban transportation.
In 1888 Richmond, Virginia, became the first American city to electrify its
urban transit. Other cities followed. By the turn of the twentieth century, intri-
cate networks of electric streetcars—also called trolley cars—ran from outlying
neighborhoods to downtown offices and department stores.
New railroad lines also fed the growth of suburbs, allowing residents to com-
mute to downtown jobs. New York’s northern suburbs alone sup-
plied 100,000 commuters each day to the central business district.
A few large cities moved their streetcars far above street level,
creating elevated or “el” trains. Other cities, like New York, built
subways by moving their rail lines underground. These streetcars,
elevated trains, and subways enabled cities to annex suburban
developments that mushroomed along the advancing transpor-
tation routes.
ENGINEERING AND URBAN PLANNING
Steel-cable suspension
bridges, like the Brooklyn Bridge, also brought cities’ sections closer
together. Sometimes these bridges provided recreational opportuni-
ties. In his design for the Brooklyn Bridge, for example, John
Augustus Roebling provided an elevated promenade whose “princi-
pal use will be to allow people of leisure, and old and young
invalids, to promenade over the bridge on fine days.” This need for
open spaces in the midst of crowded commercial cities inspired the
emerging science of urban planning.
City planners sought to restore a
measure of serenity to the environment
by designing recreational areas. Landscape
architect Frederick Law Olmsted spear-
headed the movement for planned urban
parks.
In 1857 Olmsted, along with English-
born architect Calvert Vaux, helped draw
up a plan for “Greensward,” which was
selected to become Central Park, in New
York City. Olmsted envisioned the park as
a rustic haven in the center of the busy city.
The finished park featured boating and
The Flatiron
Building, shown
here under
construction,
stands at the
intersection of
Fifth Avenue and
23rd Street in
New York City.
MAIN IDEA
MAIN IDEA
A
Analyzing
Causes
How did new
technologies make
the building of
skyscrapers
practical?
MAIN IDEA
MAIN IDEA
B
Summarizing
How did
electric transit
impact urban life?
Vocabulary
promenade: a
public place for
walking
A. Answer
The elevator
made tall build-
ings usable;
steel frames
could bear the
weight of tall
buildings.
B. Answer
It led to growth
of subways;
made commuting
easier.
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History Through
History Through
tennis facilities, a zoo, and bicycle paths. Olmsted hoped that the park’s beauty
would soothe the city’s inhabitants and let them enjoy a “natural” setting.
A PERSONAL VOICE FREDERICK LAW OLMSTED
The main object and justification [of the park] is simply to produce a certain
influence in the minds of people and through this to make life in the city healthier
and happier. The character of this influence . . . is to be produced by means of
scenes, through observation of which the mind may be more or less lifted out of
moods and habits.
quoted in Frederick Law Olmsted’s New York
In the 1870s, Olmsted planned landscaping for Washington, D.C., and St.
Louis. He also drew the initial designs for “the Emerald Necklace,” Boston’s parks
system. Boston’s Back Bay area, originally a 450-acre swamp, was drained and
developed by urban planners into an area of elegant streets and cultural attrac-
tions, including Olmstead’s parks.
CITY PLANNING
By contrast, Chicago, with its explosive growth from 30,000
people in 1850 to 300,000 in 1870, represented a nightmare of unregulated
expansion. Fortunately for the city, a local architect, Daniel Burnham, was intrigued
484 C
HAPTER 16
THE CHICAGO PLAN
This map from Daniel Burnham’s original plan of Chicago looks decep-
tively like an ordinary map today. But at the time, it was almost revolu-
tionary in its vision, and it inspired city planners all over the countr y.
Chicago’s Lakefront First, Burnham designed the “White City” to
host the 1893 World’s Columbian Exposition. His greatest legacy to
Chicago may have been his idea for a lakefront park system, com-
plete with beaches, playing fields, and playgrounds.
Neighborhood Parks Though not all cities could claim a lakefront
vista for recreation, most cities sprinkled neighborhood parks where
their residents needed them. Urban planners provided for local
parks—such as Lincoln Park in Chicago—so that “the sweet breath
of plant life” would be available to everyone.
Harbors For Cities On the Great Lakes, the shipping
business depended on accessible harbors. Burnham
saw the advantage of harbors for recreation and com-
mercial purposes, but he advocated moving the har-
bors away from the central business districts to free
space for public use.
The Civic Center Burnham redesigned the street pat-
tern to create a group of long streets that would con-
verge on a grand plaza, a practice reflected in other
American cities. The convergence of major thorough-
fares at a city’s center helped create a unified city
from a host of neighborhoods.
SKILLBUILDER
Interpreting Visual Sources
1.
Why did Chicago’s location make it a good choice
for urban planning?
2.
How was Chicago’s importance as a shipping center
maintained?
SEE SKILLBUILDER HANDBOOK, PAGE R23.
4
3
2
1
4
Unity was the goal of the architect of Chicago’s city center.
Image not available
for use on CD-ROM.
Please refer to the
image in the textbook.
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by the prospect of remaking the city. His motto was “Make
no little plans. They have no magic to stir men’s blood.” He
oversaw the transformation of a swampy area near Lake
Michigan into a glistening White City for Chicago’s 1893
World’s Columbian Exposition. Majestic exhibition halls,
statues, the first Ferris wheel, and a lagoon greeted more
than 21 million visitors who came to the city.
Many urban planners saw in Burnham’s White City
glorious visions of future cities. Burnham, however, left
Chicago an even more important legacy: an overall plan for
the city, crowned by elegant parks strung along Lake
Michigan. As a result, Chicago’s lakefront today features
curving banks of grass and sandy beaches instead of a jum-
bled mass of piers and warehouses.
New Technologies
New developments in communication brought the nation
closer together. In addition to a railroad network that now
spanned the nation, advances in printing, aviation, and
photography helped to speed the transfer of information.
A REVOLUTION IN PRINTING
By 1890, the literacy rate in
the United States had risen to nearly 90 percent. Publishers
turned out ever-increasing numbers of books, magazines,
and newspapers to meet the growing demand of the read-
ing public. A series of technological advances in printing
aided their efforts.
American mills began to produce huge quantities of
cheap paper from wood pulp. The new paper proved
durable enough to withstand high-speed presses. The electrically powered web-
perfecting press, for example, printed on both sides of a continuous paper roll,
rather than on just one side. It then cut, folded, and counted the pages as they
came down the line. Faster production and lower costs made newspapers and
magazines more affordable. People could now buy newspapers for a penny a copy.
AIRPLANES
In the early 20th century, brothers Orville and Wilbur Wright,
bicycle manufacturers from Dayton, Ohio, experimented with new engines pow-
erful enough to keep “heavier-than-air” craft aloft. First the Wright brothers built
a glider. Then they commissioned a four-cylinder internal combustion engine,
chose a propeller, and designed a biplane with a 40’4” wingspan. Their first suc-
cessful flight—on December 17, 1903, at Kitty Hawk, North Carolina—covered
120 feet and lasted 12 seconds. Orville later described the take-off.
A PERSONAL VOICE ORVILLE WRIGHT
After running the motor a few minutes to heat it up, I released
the wire that held the machine to the track, and the machine
started forward into the wind. Wilbur ran at the side of the
machine . . . to balance it. . . . Unlike the start on the 14th,
made in a calm, the machine, facing a 27-mile wind, started
very slowly. . . . One of the life-saving men snapped the camera
for us, taking a picture just as the machine had reached the
end of the track and had risen to a height of about two feet.
quoted in Smithsonian Frontiers of Flight
Life at the Turn of the 20th Century 485
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THE GARDEN CITY
Urban planning in the United
States had European counter-
parts. In Tomorrow: A Peaceful
Path to Social Reform (1898), for
example, the British city planner
Ebenezer Howard wrote of a
planned residential community
called a garden city.
Howard wanted to combine the
benefits of urban life with easy
access to nature. His city plan
was based on concentric circles—
with a town at the center and a
wide circle of rural land on the
perimeter. The town center
included a garden, concert hall,
museum, theater, library, and
hospital.
The circle around the town
center included a park, a shopping
center, a conservatory, a residen-
tial area, and industry. Six wide
avenues radiated out from the
town center. In 1903, Letchworth,
England served as the model for
Howard’s garden city.
Orville (right) and
Wilbur Wright at
home in Dayton,
Ohio, in 1909.
MAIN IDEA
MAIN IDEA
C
Summarizing
List three
major changes in
cities near the
turn of the centur y.
What effect did
each have?
Vocabulary
internal
combustion
engine: an engine
in which fuel is
burned within the
engine rather than
in an external
furnace
C. Answer
Skyscrapers
conserved
space by allow-
ing cites to grow
upward; new
transportation
systems and
bridges drew
neighborhoods
closer together;
urban planning
put parks into
cities.
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486 C
HAPTER 16
Science
Science
AVIATION PIONEERS
In 1892, Orville and Wilbur Wright opened a bicycle shop in Dayton, Ohio. They
used the profits to fund experiments in aeronautics, the construction of aircraft.
In 1903, the Wright brothers took a gasoline-powered airplane that they had
designed to a sandy hill outside Kitty Hawk, North Carolina.
art not yet released to EP
By 1918, the Postal Service began airmail
service, as shown in this preliminary sketch of a
DH4-Mail. Convinced of the great potential of
flight, the government established the first
transcontinental airmail service in 1920.
On December 17, Orville Wright made the first
successful flight of a powered aircraft in history.
The public paid little attention. But within two
years, the brothers were making 30-minute
flights. By 1908, the pioneer aviators had signed
a contract for production of the Wright airplane
with the U.S. Army.
Date Name of Engine Approximate Weight
per Unit of Horsepower
1880s Otto 440 lbs (200 kg)
1903 Wright 13 lbs (6 kg)
1910 Gnome 3.3 lbs (1.5 kg)
1918 V-12 Liberty 2 lbs (1 kg)
1944 Wright Cyclone 1.1 lbs (0.5 kg)
Source: The History of Invention, Trevor I. Williams
Early Airplane Engines and Their Weights
The airplane was powered by a 4-cylinder 12-horse-power piston engine,
designed and constructed by the bicycle shop’s mechanic, Charles Taylor.
The piston—a solid cylinder fit snugly into a hollow cylinder that moves
back and forth under pressure—was standard until jet-propelled aircraft
came into service in the 1940s.
The engine is the heaviest
component in airplane
construction. The design of
lighter engines was the most
important development in early
aviation history.
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Within two years, the Wright brothers had increased
their flights to 24 miles. By 1920, convinced of the great
potential of flight, the U.S. government had established the
first transcontinental airmail service.
PHOTOGRAPHY EXPLOSION
Before the 1880s, photogra-
phy was a professional activity. Because of the time required
to take a picture and the weight of the equipment, a pho-
tographer could not shoot a moving object. In addition,
photographers had to develop their shots immediately.
New techniques eliminated the need to develop pic-
tures right away. George Eastman developed a series of
more convenient alternatives to the heavy glass plates pre-
viously used. Now, instead of carrying their darkrooms
around with them, photographers could use flexible film,
coated with gelatin emulsions, and could send their film to
a studio for processing. When professional photographers
were slow to begin using the new film, Eastman decided to
aim his product at the masses.
In 1888, Eastman introduced his Kodak camera. The
purchase price of $25 included a 100-picture roll of film.
After taking the pictures, the photographer would send the
camera back to Eastman’s Rochester, New York, factory. For
$10, the pictures were developed and returned with the
camera reloaded. Easily held and operated, the Kodak
prompted millions of Americans to become amateur pho-
tographers. The camera also helped to create the
field of photojournalism. Reporters could now
photograph events as they occurred. When the
Wright brothers first flew their simple airplane at
Kitty Hawk, an amateur photographer captured
the first successful flight on film.
Life at the Turn of the 20th Century 487
Louis Sullivan
Daniel Burnham
Frederick Law Olmsted
Orville and Wilbur Wright
George Eastman
MAIN IDEA
2. TAKING NOTES
Using a three-column chart,
such as the one below, list three
important changes in city design,
communication, and transportation.
Which change had the greatest
impact on urban life? Why?
CRITICAL THINKING
3. HYPOTHESIZING
If you had been an urban planner at
the turn of the centur y, what new
ideas would you have included in
your plan for the ideal city?
Think About:
Olmsted’s plans for Central Park
Burnham’s ideas for Chicago
the concept of the garden city
4. EVALUATING
Which scientific or technological
development described in this
section had the greatest impact on
American culture? Use details from
the text to justify your choice.
5. SUMMARIZING
How did bridge building contribute to
the growth of cities?
1. TERMS & NAMES For each term or name, write a sentence explaining its significance.
City
Communication Transportation
Design
1. 1. 1.
2. 2. 2.
3. 3. 3.
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GEORGE EASTMAN
1854–1932
In 1877, when George Eastman
took up photography as a hobby,
he had to lug more than 100
pounds of equipment for one
day‘s outing. To lighten his load,
he replaced heavy glass plates
with film that could be rolled onto
a spool.
In 1888, Eastman sold his first
roll-film camera. Eastman called
his new camera (shown at left)
the Kodak, because the made-up
name was short and memorable.
It was popularized by the slogan
“You Press the Button, We Do
the Rest.”
Copyright © Eastman Kodak Company
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