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Going to the Show
As Americans moved from rural areas to cities, they looked for new ways to spend
their weekend and evening leisure time. Live theatrical performances brought
pleasure to cities and small towns alike. Stars, popular performers who could
attract large audiences, compensated for the less-talented supporting actors.
Audiences could choose from a wide range of music, drama, circus, and the latest
in entertainment—moving pictures.
THE CIRCUS
The biggest spectacle of all was often the
annual visit of the Barnum & Bailey Circus,
which its founders, P. T. Barnum and Anthony
Bailey, touted as “The Greatest Show on
Earth.” Established in 1871, the circus
arrived by railroad and staged a parade
through town to advertise the show.
VAUDEVILLE THEATER
Performances that included song, dance, juggling, slapstick comedy, and
sometimes chorus lines of female performers were characteristic of
vaudeville. Promoters sought large audiences with varied backgrounds.
Writing in Scribner’s Magazine in October 1899, actor Edwin Milton Royle
hailed vaudeville theater as “an American invention” that offered some-
thing to attract nearly everyone.
Until the 1890s, African-American performers filled roles mainly in
minstrel shows that featured exaggerated imitations of African-American
music and dance and reinforced racist stereotypes of blacks. By the turn
of the century, however, minstrel shows had largely been replaced by
more sophisticated musicals, and many black performers entertained in
vaudeville.
504 C
HAPTER 16
Bill “Bojangles” Robinson was
a popular tap dancer.
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FILE
DATA
DATA
A LOOK AT THE FACTS
A shorter workweek allowed many Americans more
time for leisure activities, and they
certainly took advantage of it.
In 1890, an average of 60,000 fans
attended professional baseball games
daily.
In 1893, a crowd of 50,000 attended the Princeton-
Yale football game.
A Trip to Chinatown, one of the popular new musical
comedies, ran for an amazing 650 performances in
the 1890s.
In 1900, 3 million phonograph records of Broadway-
produced musical comedies were sold.
The love of the popular musicals contributed to the
sale of $42 million worth of musical instruments in
1900.
By 1900, almost 500 men’s social clubs existed.
Nine hundred college fraternity and sorority chapters
had over 150,000 members.
Life at the Turn of the 20th Century 505
THE SILVER SCREEN
The first films, one-reel ten-minute sequences, consisted
mostly of vaudeville skits or faked newsreels. In 1903 the
first modern film—an eight-minute silent feature called
The Great Train Robbery—debuted in five-cent theaters
called nickelodeons. By showing a film as often as
16 times a day, entrepreneurs could generate greater
profits than by a costly stage production. By 1907, an
estimated 3,000 nickelodeons dotted the country.
THINKING CRITICALLY
THINKING CRITICALLY
CONNECT TO HISTORY
1. Interpreting Data
Study the statistics in the Data
File. What summary statements about the culture and
attitudes of this time period can you make? Is this a
time in history when you would like to have lived? Why
or why not?
SEE SKILLBUILDER HANDBOOK, PAGE R27.
CONNECT TO TODAY
2. Chronological Order
Trace the development and
impact on the rest of the world of one area—music,
theater, or film—of popular American culture. Use a
time line from the turn of the 20th to the 21st century
with “United States developments” on one side and
“world impacts” on the other.
IRESEARCH LINKS
CLASSZONE.COM
RAGTIME MUSIC
A blend of African-American
spirituals and European
musical forms, ragtime
originated in the 1880s in
the saloons of the South.
African-American pianist and
composer Scott Joplin’s
ragtime compositions made
him famous in the first
decade of the 1900s.
Ragtime led later to jazz,
rhythm and blues, and
rock ‘n’ roll. These forms
of popular American cul-
ture spread worldwide,
creating new dances and
fashions that emulated
the image of “loud,
loose, American rebel.”
Changes in the U.S. Workweek
Year Hours per week
1860 66
1890 60
1920 51
Source: Historical Statistics of the United States
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