Sample sessions from past SACs
Many sessions are presented
by state contest directors, and
others are taught by expere-
inced academic coaches. Sev-
eral include demonstrations or
practice tests. Some sessions
are designed for beginners,
and others for more experi-
enced coaches or competitors.
It's a fun way to learn!
See you there!
AcAdemic coordinAtors
• You’ve just been named
campus UIL academic director.
What now? Sure, you can quit
or retire. But that’s a little
drastic, given that with plan-
ning and positive attitude it’s
going to be a job you’ll love.
• Rule changes, basic eligibility
rules and the UIL academic
program in the years ahead.
• Hosting a Meet. Don't reinvent
the wheel or work yourself into
the ground. Learn to dos and
don't of hosting.
Accounting
• Learn the rules before you play
• How to stay balanced while
solving UIL accounting exam
problems.
cAlculAtor ApplicAtions
• Beginning. Introduction to Cal-
culator Applications Contest
• Intermediate: Significant Digit
and Starred Problems
• Advanced practice contest and
grading
computer ApplicAtions
• Computer Applications I. Rules,
regulations, and revisions
update
• Computer Applications II
• Calisthenics for Competitors:
Exploring some advanced func-
tions and facilities
computer science
• Computer Science Contest
Update. Includes a contest
introduction and orientation for
new coaches and contestants
as well as updates on rule
changes and Java information.
• A review of Java references
and resources, plus a short
Java practice test with grading
and discussion.
current issues & events
• Rules, procedures and tips on
preparing for and taking the
CI&E contest
JournAlism
• Introduction to UIL journalism.
• Tips for News, Feature,
Editorial and Headline Writing
contests
• Journalism Advisers Meeting
literAry criticism
• Discovering Critical Sources;
preparing for the selections on
the reading list
• Briefing for new contestants
and new lit crit coaches
mAth & number sense
• Speed, Mental Math, & Short-
cut Discussions; Question and
Answer time and direction of
the contest; Number Sense
Test B. Take 10 minute test,
then grade & discuss.
• Mathematics Contest: Question
and Answer time and direction
of the contest; Mathematics
Test: take 20 minute, 24
question test - grade/discuss.
• Number Sense and Mathemat-
ics For Beginners. Designed
for beginning coaches and
students, but all are welcome.
Discussion on beginning
teams, practice, test taking,
resources, etc.
reAdy Writing
• Preparing for Ready Writing. A
review of UIL rules, the Ready
Writing rubric and contest
fundamentals. For first-year
competitors and beginning
coaches.
• Tips and discussion for ad-
vanced Ready Writing
competitors and coaches.
science
• Adviser’s session
• Topics in Science
• Practice quiz with problem-solv-
ing tutorial
sociAl studies
• Preparing for the Social Stud-
ies contest. A review of UIL
rules & the primary reading
selection.
• Coaches meeting: discussion,
suggestions and projections.
For coaches only.
spelling/vocAbulAry
• Preparing for the Spelling &
Vocabulary Contest: rules,
procedures, protocols
speech & debAte
• Prose and Poetry Introduction
• Cutting Edge. For Advanced
interpers.
• Lincoln-Douglas Debate Basics
• Beyond the Basics of LD De-
bate
• Cross-Examination Debate
Basics
• Economic Issues & Debate/Ex-
temp
• Starting From Scratch/Start-
ing Over. For coaches
• Performance Hour. Perfor-
mances of prose and poetry
critiqued by experienced judges
• An Introduction to Extempora-
neous Speaking
• LD Debate Topic Analysis
• CX Debate Topic Analysis
• Examination of the current CX
resolution
• Secrets to Survival. Designed
for the first-year speech coach
• Future of Forensics
• Discovering the Interp Catego-
ries.
• Preparing a Winning Extemp
Speech
• LD Debate Demonstration
• CX Debate Demonstration
• C-X Debate Advanced Topic
Analysis
• Rediscovering Ethics in Foren-
sics
one-Act plAy
• Mime Techniques á la Marcel
Marceau
• OAP Directors’ Forum: How to
cope with contest rules
• Blood, Guts and Gore. Make-up
demonstration
• Use of the Unit Set for OAP
• Hand-to-Hand Stage Combat
• Alternative Spaces for Perfor-
mances
• What “Breathe from the Dia-
phragm” Really Means
• Diversity Through Drama. Ac-
tivities, role drama and a look
at literature.
• Open Forum With the Adjudica-
tor’s Organization
• The Actor’s Voice
• Headliners: Not just for cars
anymore. How to make almost
anything out of a headliner.
• Acting: The roots of feeling. The
Actor’s Body and Emotion
• Stage Movement/Theatre
Dance. An Introduction
• Basic Lighting Techniques for
UIL
• Advanced Make-Up Problems.
Special problems and solutions
in make-up
• “Dearly Departed." Creating
and staging Southern charac-
ters in a modern comedy.
• Physical technique as an ap-
proach to characterization
• Theatre Games. Working
toward spontaneity, concentra-
tion and ensemble
• Costumes on a Shoestring.
Creative costuming that won’t
break your budget
• Let’s Get Physical. Participa-
tory workshop in movement,
fencing, stage combat, warm-
up
•
The Singing Actor or the Acting
Singer
• How to get the part you want.
An auditioning workshop for
students
• Critiquing the Non-Advancing
Play. What to expect
• Understanding the playwright’s
intent through analysis
• Boffo, Lazzo, Durang & Ives.
Creating modern-day charac-
ters from commedia stock
• What “Breathe from the Dia-
phragm” Really Means
• Exploring the text. Increased
awareness of text, voice and
diction
• Common Uses and Abuses of
the Unit Set
• Auditioning for Musical Theatre
• Period Costumes Out Of Thin
Air
• Making it REAL. Truth and Hon-
esty in the Acting Experience
• Developing character depth;
going beyond the obvious
• An Empty Space: Less really is
more
• Improvisation in Movement. Us-
ing space, time and energy in
characterization
• Playwriting. Starting out
• Commedia dell’Arte Masks. A
hands-on workshop in mask
making
• Directing for Beginners: The
Basic.