898 Chapter 31
Literature in the 1920s
The brutality of World War I caused philosophers and writers to question accepted
ideas about reason and progress. Disillusioned by the war, many people also feared
the future and expressed doubts about traditional religious beliefs. Some writers
and thinkers expressed their anxieties by creating disturbing visions of the present
and the future.
In 1922, T. S. Eliot, an American poet living in England, wrote that Western
society had lost its spiritual values. He described the postwar world as a barren
“wasteland,” drained of hope and faith. In 1921, the Irish poet William Butler Yeats
conveyed a sense of dark times ahead in the poem “The Second Coming”: “Things
fall apart; the centre cannot hold; / Mere anarchy is loosed upon the world.”
Writers Reflect Society’s Concerns The horror of war made a deep impression
on many writers. The Czech-born author Franz Kafka wrote eerie novels such as
The Trial (1925) and The Castle (1926). His books feature people caught in threat-
ening situations they can neither understand nor escape. The books struck a chord
among readers in the uneasy postwar years.
Many novels showed the influence of Freud’s theories on the unconscious. The
Irish-born author James Joyce gained widespread attention with his stream-of-
consciousness novel Ulysses (1922). This book focuses on a single day in the lives
of three people in Dublin, Ireland. Joyce broke with normal sentence structure and
vocabulary in a bold attempt to mirror the workings of the human mind.
Thinkers React to Uncertainties In their search for meaning in an uncertain world,
some thinkers turned to the philosophy known as
existentialism. A major leader of
this movement was the philosopher Jean Paul Sartre (SAHR•truh) of France.
Existentialists believed that there is no universal meaning to life. Each person creates
his or her own meaning in life through choices made and actions taken.
DOCUMENT-BASED QUESTIONS
1. Making Inferences What seems to be the narrator’s attitude toward the future?
2. Drawing Conclusions How would you describe the overall mood of the excerpt?
Vocabulary
stream of conscious-
ness: a literary tech-
nique used to
present a character’s
thoughts and feel-
ings as they develop
Writers of the “Lost Generation”
During the 1920s, many American writers,
musicians, and painters left the United States
to live in Europe. These expatriates, people
who left their native country to live elsewhere,
often settled in Paris. American writer Gertrude
Stein called them the “Lost Generation.” They
moved frantically from one European city to
another, trying to find meaning in life. Life
empty of meaning is the theme of F. Scott
Fitzgerald’s The Great Gatsby (1925).
And as I sat there brooding on the old, unknown
world, I thought of Gatsby’s wonder when he first
picked out the green light at the end of Daisy’s dock.
He had come a long way to this blue lawn, and his
dream must have seemed so close that he could
hardly fail to grasp it. He did not know that it was
already behind him, somewhere back in that vast
obscurity beyond the city, where the dark fields of
the republic rolled on under the night.
Gatsby believed in the green light, the . . . future that
year by year recedes before us. It eluded us then, but that’s
no matter—tomorrow we will run faster, stretch out our
arms farther. . . . And one fine morning—
So we beat on, boats against the current, borne back
ceaselessly into the past.
F. SCOTT FITZGERALD, The Great Gatsby
A 1920s
photo of
F. Scott
Fitzgerald